Originally written for the 1957 television broadcast starring Julie Andrews, Rodgers + Hammerstein’s Cinderella finally made it’s Broadway debut in 2013. With a new book by Douglas Carter Beane, the classic tale gets some new updates – but still captures the magic of the story we know and love. The show is now playing at the Fabulous Fox Theatre in St. Louis through February 1.
Returning from her leading role on Broadway is Paige Faure as Ella, with the look and cadence that would have you thinking she really is Cinderella in real life. Although some details have changed, the story is still close to the one we know and love. Ella lives with her wicked stepmother (Beth Glover) and stepsisters: Charlotte (Aymee Garcia) and Gabrielle (Kaitlyn Davidson) – although the latter is much nicer to Ella than we’ve grown accustomed to. Right at the start, Ella has a meet-cute with Prince Topher (Andy Jones) as he rides through town. It is there we are also introduced to her friends Jean-Michel (David Andino), a zany revolutionary, and Marie (Kecia Lewis) – a crazy old woman who we later learn has more up her sleeve than meets the eye. Topher’s adviser Lord Chancellor Sebastian (Blake Hammond) convinces the prince that it is time to marry – and what better way to find a bride than to throw a magnificent ball? It’s all fairy godmothers and magical transformations from then on, as the classic tale comes to life.
The show consists of many of the musical numbers from the original 1957 production, as well as some additional songs from the Rodgers + Hammerstein catalog – cut from shows like South Pacific, Me and Juliet. The number “There’s Music in You” was added from the 1997 television version that starred Brandy, which actually came from the 1957 film Main Street to Broadway – where Rodgers and Hammerstein can be seen performing it. CINDERELLA is full of great music and performances, sure to have audiences mesmerized when combined with the direction of Mark Brokaw (The Lyons, After Miss Julie, The Constant Wife, Reckless, Cry-Baby) and choreography of Josh Rhodes (Company, The Film, Three Generations at the Kennedy Center, Sondheim: the Birthday Concert).
A captivating forest inhabited by whimsical and enchanted creatures.
Cirque du Soleil returns to St. Louis with their critically acclaimed production of Vareki! Premiering in Montréal in 2002, over 8 million people have enjoyed the show in over 72 cities and 20 countries. Now through January 11, St. Louis can enjoy the explosive fusion of drama and acrobatics at the Chaifetz Arena.
Varekai features stunning cast of 50 performers and musicians from 18 different countries. More that 33,000 hours of work has gone into the brilliant costume design for the show, lead by renowned designer Eiko Ishioka. There are over 600 costumes, shoes, wigs, hats and accessories used in each performance.
The production is packed full of breathtaking scenery, from The Forest (over 300 trees between 4.5 and 10.5 meters tall) to The Stage (a golden clearing 12.8 meters wide), and the Catwalk (a 30 meter long staircase the actors use to travel over the stage) to the Lookout (a 7-square-meter cabin, serving as the centerpiece of the set)
For more information about Vareki, visit cirquedusoleil.com.About the show:
Deep within a forest, at the summit of a volcano, exists an extraordinary world – a world where something else is possible. A world called Varekai.
From the sky falls a solitary young man, and the story of Varekai begins. Parachuted into the shadows of a magical forest, a kaleidoscopic world populated by fantastical creatures, this young man sets off on an adventure both absurd and extraordinary. On this day at the edge of time, in this place of all possibilities, begins an inspired incantation to life rediscovered.
The word Varekai means “wherever” in the Romany language of the gypsies the universal wanderers. This production pays tribute to the nomadic soul, to the spirit and art of the circus tradition, and to the infinite passion of those whose quest takes them along the path that leads to Varekai.
If you and your kids watch Yo Gabba Gabba! and haven’t been to a live show yet, there is no better time than the present (check out our review from the It’s Time to Dance tour)! We had the chance to chat with Christian Jacobs about the awesome ride that is the Yo Gabba Gabba! Live! tour, how the show compares with his time in The Aquabats, and what we can expect when the show comes to town next week.
Bonnie and Clyde (or Clyde and Bonnie, if you asked him) were a couple of American outlaws who captured the attention of the public in the early 1930s. While these two kids weren’t much more than a couple of petty robbers, commonly knocking over gas stations and small “mom and pop” stores, the media glamorized their exploits into legend. And now legend has become musical. Following its short run on Broadway, New Line has once again seen the potential in an unappreciated show – and has given it a new and glorious life!
Both newcomers to the company, Larissa White and Matt Pentecost play Bonnie and Clyde. The two leads share a phenomenal chemistry, as well as an energy that lights up the stage. Each of the actors hold their own in vocals and acting, but when they come together it is magic. The story starts off before the two of them met, with Bonnie’s dreams of being in the “Picture Show,” and Clyde trying to stay out of jail while singing about how “This World Will Remember Me.” The show then chronicles their relationship from their humble beginnings to making the headlines. Joining them are Clyde’s brother Buck (Brendan Ochs) and his wife Blanche (Sarah Porter), who both do a great job of providing the comedic relief in the show. Hot on their trails are Ted Hinton (Reynaldo Arceno) and Sheriff Schmid (Christopher Clark) who relentlessly track down the outlaws throughout the show.
Chances are that if you’re watching live theatre in the Midwest, more often than not it’s tough to be genuinely surprised. That doesn’t mean there is any lack of talent or amazing shows that come through town. And we have a great theatre community in St. Louis. Yet there is a huge difference between seeing a show that you know will be amazing – and feeling completely surprised by something risky and new. Most shows we see are already proven, and who can blame them? It’s expensive to put on a show, and especially to bring us something new from Broadway. Yet this isn’t the case with New Line Theatre, who time after time produces shows that are different and widely unknown. Artistic director Scott Miller has a true talent for recognizing the potential in shows we might otherwise have never seen, and filling them with some of the best actors in town. With that being said, I introduce you to their latest success: Hands on a Hardbody.
Based on a documentary film which follows true events from 1995, Hands on a Hardbody takes the audience to Longview, Texas for an annual competition of endurance. The prize? A brand new pickup truck. And it’s a musical. How wonderfully strange and fantastic the synopsis sounds. But you haven’t seen or heard anything until you’ve been to the show.
Songwriter Amanda Green is no stranger to bringing us this sort of unexpected gem. My first introduction to New Line Theater was in 2012 with their production of High Fidelity, based on one of my favorite films. But a musical? Green was responsible for those lyrics, and the show was an absolute blast. And how about the surprise Broadway hit “Bring It On The Musical,” based on a 2000 high school comedy about cheerleaders? Green teamed up with the mega-talented Lin-Manuel Miranda (In The Heights) and Tom Kitt (High Fidelity, Next to Normal) on that one, which completely caught me off-guard with how fun it was. And now Green, along with Trey Anastasio (Phish) and a book by Doug Wright (Quills, The Little Mermaid), has done it again. This time with a musical about a contest to win a truck. On paper, it’s hard to imagine that the show could be so amazing. But I’ve learned to trust both New Line and Green by now, and both have yet to let me down.