By Some Like It Hot takes place in the 1930s, where two struggling musicians, Joe and Jerry, accidentally witness a mob murder. Desperate to escape, they disguise themselves as women and join an all-female band. Chaos ensues as the charming, yet womanizing Joe struggles to behave, and the often-misaligned Jerry works to keep their identities under wraps. Add in a dazzling young starlet, a mob boss in pursuit, and a series of musical numbers, and the result is a fun, theatrical whirlwind of mistaken identities, romance, and self-discovery.
Matt Loehr delivers a delightful performance as Joe/Josephine, showcasing impeccable comedic timing and impressive dance skills while bringing depth to the character’s internal conflict. Tavis Kordell is divine as Jerry/Daphne, blending remarkable vocal and dance talent with discerning sweetness as Jerry embraces both sides of their identity.
Leandra Ellis-Gaston shines as Sugar, a starlet with a habit of falling for the wrong man. Her sultry, heartfelt vocals are especially moving in “A Darker Shade of Blue.” Tarra Conner Jones wows as Sweet Sue, leader of the all-female jazz band, channeling the power and presence of the great jazz singers of the 1930s. A crowd favorite, Edward Juvier is sweet, energetic, and irresistibly endearing as the lovable millionaire Osgood, bringing charm and warmth to the role.
Some Like It Hot, inspired by Billy Wilder’s iconic 1959 film starring Marilyn Monroe, Tony Curtis, and Jack Lemmon, brings the golden age of musicals to life focusing on the intersection of music, lyrics, and story-driven choreography. Filled with fast-paced dance numbers and capturing the spirit of 1930s and 1940s farce, the show is a joy to watch. A standout moment is the brilliantly choreographed “Tip Tap Trouble,” a high-energy number that ties all the storylines together in a dazzling finale.
In addition to its humor, Some Like It Hot embraces its characters’ self-discovery and acceptance. Beyond breaking societal norms of the time, or even today, the story highlights the characters’ personal growth, including Joe’s evolving relationship with Sugar and Jerry’s unexpected and sweet connection with Osgood. The book is both charming and touching, seamlessly intertwining with the show’s jazz-filled music and lyrics.
Some Like It Hot is a rare example of a musical that not only honors its film counterpart but also expands on its themes and strengths. For film buffs, it’s a delightful ode to the beloved classic, while for theater fans, it harkens back to the grand musicals of the 1930s and 1940s when music and choreography defined the golden age of theater.
Some Like It Hot plays at the Fabulous Fox through March 9.