Increasingly taken to task for the similarities in his performances, Cera is allowed to shine as Dillinger, a character whose crude self-confidence allows the actor finally play against type, if only sporadically. While the film is a quirk-filled hipster-fest, it largely works as director Miguel Arteta (The Good Girl, Chuck & Buck) uses Dillinger sparingly; wisely preventing the film from devolving into Rushmore meets Fight Club. Nick’s attempts to impress Sheeni cut a path of destruction across the landscape. But Cera grounds the character in such a way that his decisions, no matter how dumb, seem just this side of irrational. His performance is something of a sucker punch. He’s so likable that it’s not until the second half before we come to the slow realization that we just might be rooting for a stalker.
Youth In Revolt somehow manages to be a dark satire yet light as air. Though at times, it feels as if the film is trying to do too much: hipster chic, indie cred, quirky animated sequences. It all begins to feel a bit hodgepodge and only serves to keep the audience at arm’s length. It’s almost as if the filmmakers are looking to bypass the “box office” phase and go straight to “cult classic.” The pacing gets a little slow in the second half, but Cera saves the day. He manages to be both charming and, surprisingly, a little bit dangerous.
On a scale of 1 to 10, with 10 being Rushmore and 1 being College, Youth In Revolt gets a 7.
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