Of course, Anna and Declan are immediately at odds. He looking down on her arrogant American-ness, and she put off by his languid work ethic and constant mocking. But forced to travel together they slowly fall in love despite their differences. That’s right, after 65 years Hollywood is still plagiarizing Frank Capra’s It Happened One Night. Right down to the love interests pretending to be married in order to secure lodging for the evening and then sparing over who gets to sleep in the room‘s only bed. The movie is beyond predictable; the alphabet has more surprises. But predictability isn’t necessarily the kiss of death. It is a genre picture after all, so some level of predictability is to be expected. Typically, the filmmakers attempt to offset that with humor, intrigue or chemistry. Nope, nope and nope.
The humor in the film is virtually nonexistent. You know you’re in trouble when the biggest laugh in the film comes from one of the main characters snapping the neck of a live chicken. Ultimately, it’s not so much that the jokes don’t work (though they don’t) as it is there are so few jokes to speak of. It’s almost as if there was supposed to be one more script revision in which jokes were meant to be added. If the film has any saving graces they are Amy Adams and Ireland. Adams is as delightful as ever and working diligently to salvage a lackluster script.
On a scale of 1 to 10, with 10 being The Quiet Man and 1 being My Life in Ruins, Leap Year gets a 5.
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