Theatre Review: CHICAGO at The Fabulous Fox

Since its debut in 1975, Chicago has been dazzling audiences with its sensational songs and choreography. The national tour currently at the Fabulous Fox Theater is no different. Based on a 1926 play about actual criminals and crimes in the Chicago area, the musical tells the story of Roxie Hart, a woman accused of killing her lover in the Jazz age of the 1920s. As she experiences the legal system, she encounters adversary Velma Kelly and lawyer Billy Flynn, while using the press as she works to secure her freedom.  

Ellie Roddy is superb as Roxie Hart. Her expressive and lively vocals solidify the star quality of this ambitious anti-heroine. Her performance ensures that Roxie remains the captivating heart of the production. Taylor Lane stars as Velma Kelly, a nightclub star/murderess awaiting her trial. Bringing boundless energy and charisma to the role, Lane’s stage presence and vocal prowess contribute significantly to the production’s success especially during the musical’s standout songs, “All That Jazz” and “Cell Block Tango.”

Connor Sullivan distinguishes himself as Billy Flynn, a sophisticated lawyer who is more interested in money and fame than the innocence of his clients. Sullivan is a strong, charismatic vocalist and demands attention during his numbers “All I Care About” and “We Both Reached for the Gun.”

Through captivating and impressive vocals, Illeana “Illy” Kirven shines as Matron “Mama” Morton, delivering a commanding performance as the prison leader who assists Velma in navigating the media frenzy. Andrew Metzger is hilariously transparent as Amos, Roxie’s long-suffering husband, particularly in the endearing “Mister Cellophane.” Meanwhile, D. Fillinger offers a delightful surprise as Mary Sunshine, wowing the audience with powerhouse vocals.

Chicago is told through a variety of vaudeville musical numbers offering observation on fame, justice, and media sensationalism. What makes this tour stand out is its minimalist approach to set design, costumes, and lighting. By stripping away elaborate distractions, the production allows the true stars of the show—the cast, music, and choreography—to take center stage. The orchestra/band is onstage with the conductor serving as its pseudo master of ceremonies. The ensemble hits every musical note and every dance mark gorgeously.

The book was written by Fred Ebb and Bob Fosse, with Ebb taking on the lyrics along with music by John Kander. The songs are smart and fun, offering a great commentary on the musical’s themes of celebrity, media, justice, gender and innocence. For this tour, Gregory Butler and Ann Reinking re-created the original and fantastic Bob Fosse choreography, including using the original Fosse choreography for “Hot Honey Rag.”

This national tour of Chicago is high-energy fun. From start to finish, the cast and orchestra deliver flawless performances, captivating the audience with dynamic choreography, powerful vocals, and engaging storytelling.

Photos: Jeremy Daniel