Bryan (Liam Nesson) is recently retired special ops of sorts from the U.S. government that has moved out to Los Angeles to make up for lost time with his daughter, Kim (Maggie Grace). Bryan was gone a lot of secret mission, keeping him from his family and eventually losing them to a rich investor and a life he could never provide for them. Kim never resented her dad, and loves to see him every time he is around, but she is also easily distracted by the lifestyle put in front of her at her current status. As Bryan struggles to connect, some old buddies from Bryan’s past stop by for a little reunion and recruit him for a security job for one night only. The job is to protect a pop superstar, Sheerah, in and around her concert and get her safely too and from the venue. After the show, a crowd breaks free and Bryan tries to quickly escort her to safety when a knife armed attacker attempts to attack Sheerah, in which Bryan dispatches with ease, and gets the star safely back to her hotel room. After this ordeal, he then learns that Kim wishes to go to Paris for mini-vacation with her friend Amanda and that they will be staying with her friend’s cousins. Bryan reluctantly agrees, knowing the risks of a girl Kim’s age being in Europe with out supervisions, but eventually gives in. Bryan’s worst fears are realized rather quickly when almost immediately following her arrival, Kim and Amanda are kidnapped and are going to be potentially sold into the sex trade. Kim was on the phone with her Dad when she was taken and her abductor decides to pick up the phone, in which Bryan informs him that he will hunt him down and kill him and our story is put into drive.
The film is centered entirely on Nesson, and he carries the pic with ease. Maggie Grace is solid playing the attractive and adorable daughter in peril, but once she is taken, she is a non-factor. Famke Janssen is again kind of stuck in a weird disjointed mothers role and while she does the part justice, you just wish she had more to do, we know she is capable. But Nesson, Nesson is awesome in this flick, a force to be reckoned with and on a tirade that can not be stopped. He is smarter and more skilled then anyone thrown in his way and Nesson makes us believe it in every sense. Nesson handles the action with ease as well, convincingly kicking the shit out of everyone and you can tell he had some excellent trainers on set for the fight scenes and what not.
9.25/10
Opera Theatre of St. Louis' latest production is putting people to sleep. Literally. Fortunately, those…
One of the ways that Opera Theatre of St. Louis is celebrating their 50th anniversary…
This House, Opera Theatre of St. Louis’ 44th world premiere, proves that sometimes you shouldn’t…
By Jerry McGrath Be...Present. Marked words to open the concert. Maynard, in typical fashion, addresses…
Often times, legacy sequels strain under the weight of nostalgia. But Karate Kid: Legends wears…
To celebrate its 50th season Opera Theatre of St. Louis didn’t just uncork a bottle…