Annie (Kate Beckinsale) is a single mom working as a waitress at the local Chinese restaurant, Glenn (Sam Rockwell) is Annie’s separated husband who is recovering from alcoholism and an attempted suicide, and Arthur (Michael Angarano) is a high school student who is coming to grips with his feelings on love as he comes of age; and the film surrounds the interactions of these three and the people in their lives and serves as a portrait of tragic America. Glenn is making an effort to change, born again Christian and clean, he has a new job and desperately wants to reconnect with his family. Annie looks to her friend’s husband for romance as the two spend afternoons together in a hotel when she can get a sitter for he daughter Tara. Arthur is a normal kid who starts to bond with a girl at school, Lila (Olivia Thirlby), just as his parents marriage begins coming apart. The film is filled out with a number of supporting players and focuses on these characters lives as they unfold over a six week period. There is no over arching plot or goal to the picture, it is simply a study of these peoples lives and the relationships with those around them.
The film is subtle and wonderfully put together, with a great pace that works just right for the pictures, and David Gordon Green’s direction of his actors creates genuine and real feeling performances. Everyone involved never feels like a type, and has depth that goes far beyond the surface. All the actors turn in performances that feel plucked from real life and are great from head to toe. Comedy is also sprinkled in just enough, in all the right places to lighten up the tone when it needs it, and with out it the film would have been tough to swallow. The film also does a great job at creating a realistic high school relationship, a troubled attempt at reconnecting a broken marriage, as well as the potentially crumbling marriage as well. That’s not to say the film is all gloom and doom, as the Arthur/Lila relationship is sweet and won’t upset you, but the downer parts outweigh the nicer moments for sure. Green’s ability to make his film feel lived in and real can not be overstated and between this and Pineapple Express, he has shown his range and ability as a filmmaker is quite great in a single year.
9/10
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