Categories: Movie Reviews

Review: ‘Get Out’ Starring Daniel Kaluuya, Allison Williams, Bradley Whitford

It’s been a while since I’ve felt this uncomfortable leaving a movie. Make no mistake about it, Get Out (the directorial debut of comedian Jordan Peele) sets a new standard for modern horror films. While there are some funny moments, the laughs are scarce; this is a film that will be sure to leave audiences shocked and speechless

Alison Williams plays Rose, who is white. Her boyfriend, Chris – played masterfully by Daniel Kaluuya – is black. Alison decides it’s time to take her boyfriend home to meet her family, which is very white and also very rich. Bradley Whitford plays her neurosurgeon father, who jokes that he would have voted for Obama for a third term (it makes sense at the end of the film). Her mother is a psychiatrist with a knack for hypnosis, played by Catherine Keener. While at the parents’ house, Chris meets several family members who can’t stop talking about Tiger Woods and Jesse Owens. This part of the film is very reminiscent of Stepford Wives. The family also has a pair of servants names Georgina and Walter, who happen to be black and always in a deep hypnosis. Every black character Chris meets at the family function seem quite strange.

The racial dynamics of the film can’t be denied. In fact they are flat out shocking at times, and had me squirming uncomfortably at times. Lil Rey Howery is the only comic relief in the film, which is quite welcome where it can be found. He plays Chris’ smart-talking friend, who advises him to get out. If only Chris had listened.

Peele is masterful behind the camera, blending the horror and dark comedy. He’s at his best, questioning the black man’s place in this post-electoral world. Like most people in an uncomfortable situation, Chris thinks he will be okay if he keeps his head down and keeps quiet. He refuses to confront the blatant racism being thrown his way, even though he can’t escape it. There is an obvious yet never over-stayed social message at play throughout the film.

While Get Out is an uncomfortable movie to watch, it is also a great piece of filmmaking. With a hard-hitting racial undertone, the film will hopefully leave the audience thinking about race relations that have never been more relevant during these troubling times.

Get Out gets an A.

Jeremy Housewright

Jeremy has been a journalist in the St. Louis area since 2000. He has covered everything from hard news and pro sports to movies and concerts. In his free time he enjoys writing movie reviews, watching professional wrestling and MMA, as well as being an avid football fan. Jeremy is a regular contributor to Review St. Louis, as well as his own sports website: clubhousetalk.com.

Recent Posts

Opera Review: Money, Mishaps and Marriage Fuel OTSL’s Hilarious DON PASQUALE

One of the ways that Opera Theatre of St. Louis is celebrating their 50th anniversary…

4 days ago

Opera Review: THIS HOUSE World Premiere at OSTL

This House, Opera Theatre of St. Louis’ 44th world premiere, proves that sometimes you shouldn’t…

2 weeks ago

A Perfect Circle, Puscifer and Primus members take audience for a ride at Hollywood Casino Amphitheater

By Jerry McGrath Be...Present.   Marked words to open the concert.   Maynard, in typical fashion, addresses…

2 weeks ago

Movie Review: KARATE KID: LEGENDS Starring Ben Wang, Jackie Chan, Ralph Macchio

Often times, legacy sequels strain under the weight of nostalgia. But Karate Kid: Legends wears…

3 weeks ago

Theater Review: Buffoonery Meets Bubbly With OTSL’s DIE FLEDERMAUS

To celebrate its 50th season Opera Theatre of St. Louis didn’t just uncork a bottle…

3 weeks ago

Theater Review: & JULIET at The Fabulous Fox

Romeo and Juliet is often considered one of William Shakespeare’s most iconic plays, but it…

3 weeks ago