Richard M. Nixon (Frank Langella) is the only president to ever resign from office, and in doing so a nation was cheated and robbed of the man admitting the errors of his way when he was pardoned by Gerald Ford. David Frost (Michael Sheen) in the mean time was a moderately successful British television host who, while having a show fail in the U.S., was still successful in England and Australia. Frost craved a return to the American spotlight though, and a return to the New York scene which he loved. Frost devises a plan to get back to New York by hopefully scoring the first interview with President Nixon since his departure and acting like a real journalist instead of the entertainer he was perceived as. Luckily for Frost, Nixon needs money and a chance to rebuild his reputation, and Nixon and his aides see this interview with an “amateur” as an opportunity to control the situation and put a positive light back on himself and his presidency. After a bit of negotiation, Frost gets his interview, but can only dedicate a small portion of the interview to the Watergate scandal. Regardless, Frost assembles a team of researchers and his producer to gather information and evidence in a hope to pinning the man in a corner and hopefully getting him to spill his guts for all to see; though once the interviews begin, Frost finds that Nixon is a tougher opponent then expected.
The film itself is very well made and is fast paced and never drags. Howard does a fine job of blending in humor, tension, and drama with ease while also getting the most out of an already impressive cast of actors. I will say that Frost’s arc and final push to become the reporter he should be seemed a bit quick and easy, but other then that I have no major complaints with the film. With that said though, something failed to click with me to really fall in love with this film. It has a great cast, great direction, lots of great, but for some reason the film doesn’t elevate itself to the upper echelon of films of the year for me. Another thing that kind of rubbed me the wrong way was the documentary approach to move the story along, it just seemed silly to be interviewing actors playing real people but we were in a setting where they very easily could have just used the real people. It was a weird and just made it terribly clear that we were watching a movie and I think took me out of being fully engrossed in the picture. With that said though, some of the performances really do shine and stand out.
8.5/10
Opera Theatre of St. Louis' latest production is putting people to sleep. Literally. Fortunately, those…
One of the ways that Opera Theatre of St. Louis is celebrating their 50th anniversary…
This House, Opera Theatre of St. Louis’ 44th world premiere, proves that sometimes you shouldn’t…
By Jerry McGrath Be...Present. Marked words to open the concert. Maynard, in typical fashion, addresses…
Often times, legacy sequels strain under the weight of nostalgia. But Karate Kid: Legends wears…
To celebrate its 50th season Opera Theatre of St. Louis didn’t just uncork a bottle…