Take this person for example, who noticed a similarity between composer Hans Zimmer’s score, and the song featured in the film signaling “the kick”. “Non je ne regrette rien” by Edith Pief is used to signal it is time for “the kick” in the film, and someone noticed there might be some relation to the main theme of the film, and the Edith Piaf song used.
It is great to see that a composer of film scores understands his project so well, and found a way to incorparte ideas from the film into the actual score.
Watch the video below and prepare to be amazed!
[hdplay id=72 width=595 height=375]One of the ways that Opera Theatre of St. Louis is celebrating their 50th anniversary…
This House, Opera Theatre of St. Louis’ 44th world premiere, proves that sometimes you shouldn’t…
By Jerry McGrath Be...Present. Marked words to open the concert. Maynard, in typical fashion, addresses…
Often times, legacy sequels strain under the weight of nostalgia. But Karate Kid: Legends wears…
To celebrate its 50th season Opera Theatre of St. Louis didn’t just uncork a bottle…
Romeo and Juliet is often considered one of William Shakespeare’s most iconic plays, but it…
View Comments
Holy shit that is an awesome find.
Now that is cool.
And the Edith Piaf song is about not having regrets in one's old age...a desire Cobb and other characters express.
I thought using the song in a film that also starred Marion Cottilard was interesting enough in itself, but the connection between the score, the song, and this underlying theme of the film just enhances the whole experience.
It's a great film.