Album Review: ‘Unimagine’ by Hands Like Houses

The most cheerful song on the album is also one of its strengths. “This is happiness: to be everything at once. Be unblinded, be unlearned, be unbridled and unburned,” Woodley sings over an upbeat progression with Cooper’s guitar again lending a nice harmony in “No Parallels.” It’s perhaps no coincidence that this song is sandwiched in between the album’s most emotional song, the change-of-pace keyboard-driven “Oceandust” and one of the most frenetic tracks, “Fountainhead.” Hey, if they can find happiness amidst the chaos and uncertainty, perhaps it’s not impossible for us to follow suit.

Now, this isn’t to say the album isn’t without its faults. Woodley sounds to be at his strongest when he’s singing at higher octaves, as that’s when he really pushes his vocals. When he’s in the lower ranges, he’s much more timid. He doesn’t sound terrible by any means, but it just isn’t as powerful. Some of the tracks simply aren’t as strong as others, like “The House You Built,” which sounds eerily like a Panic! at the Disco song during the intro and verse.

In Conclusion

It’s almost unfair. For bands who enjoyed success with their initial release, they can face a Catch-22 when it comes to writing the follow-up. If they stray too far from the formula that made them successful, they risk alienating the fans who loved their first work.

On the other hand, if they stick to the exact same plan, they take the chance of becoming known as formulaic, with every song sounding the same. The trick, then, is to approach the second album as a progression. This is what Unimagine is. There are certainly areas for improvement, but it’s impossible to deny they’ve made leaps and bounds in terms of talent and songwriting from Ground Dweller, which was an already impressive album. Fortunately, for fans of Hands Like Houses, Unimagine is a perfect milestone, a mile marker, even: not only to remind the listener of where they started, but also to show how far the band has come.

Unimagine gets a B+.

For fans of: Emarosa, Dance Gavin Dance, technical alternative without screaming

Strong tracks: Developments, A Tale of Outer Suburbia, No Parallels

Official Hands Like Houses website.

Page: 1 2

Steve Kelley

Born in South Korea, Steve came to the US when he was three months old and has lived in St. Louis for the majority of his life. Of course, he naturally took a liking to the Cardinals, Blues, and thin-crust pizza. On the weekends, he can be found spending time with his friends, watching sports, or playing with his niece. Baseball, scotch, beer, guitar, softball, and drawing are among his many varied interests. Steve also has giant calves. E-mail: SteveK [at] ReviewSTL.com.

Recent Posts

Opera Review: THE PIRATES OF PENZANCE At OTSL

Opera Theatre of Saint Louis is sailing the high seas with The Pirates of Penzance.…

2 months ago

Movie Review: OBSESSION, Psychological Horror With Substance Beneath the Scares

Modern horror has become crowded with sequels, recycled concepts, and films that mistake loud jump…

2 months ago

Theater Review: MONTY PYTHON’S SPAMALOT at The Fabulous Fox

Famous for their UK sketch comedy show, Monty Python’s Flying Circus, the British comedy troupe…

2 months ago

STARS ON ICE Review: Gliding Into Your City… And Straight Into Your Hearts

The recent visit from Stars On Ice made its way through St Louis at the…

2 months ago

Theater Review: BEETLEJUICE at The Fabulous Fox

A cult and theatrical classic of the 1980s, Beetlejuice has become a lasting pop culture…

3 months ago

Movie Review: MICHAEL starring Jaafar Jackson, Miles Teller

There are biopics that aim to explain a life, and there are those that simply…

3 months ago