And to get technical for a moment people reference the predestination paradox when discussing this film, and this paradox has been used in other films and worked for me, but for whatever reason, since the whole film was built around this idea possibly, I just couldn’t convince myself to let this gross error go and found little enjoyment at the futility of the film. In short, I don’t recommend this film, but if you are interested it is well made but just makes no sense; in the frustrating way.
*spoilers throughout*
Hector and his wife are just settling in to their new home when Hector decides to take a break and lounge in his chair overlooking the wilderness behind his home. Perusing with binoculars, he sees something out in the woods and with further investigation sees a woman undressing and after a brief interruption from his wife, decides to head up into the woods to figure out what was happening. Hector soon discovers the girl, seemingly dead and in the nude only to be stabbed from behind by a man he later discovers to be bandaged around his head, and he chases Hector up to a research facility and into a silo with a strange pool being manned by a lab tech who has been guiding Hector away from the bandaged man. Hector gets in and the man closes the tank, only to re-open a few hours earlier surprising the young man who had just told him to get in the tank, now in the past.
*end of spoilers*
Regardless of the plot, the film is well done. Nacho Vigalondo does a fine job at making the most out of this modestly made film, with some cool shots and eerie tension in the early goings. The plot twists and turns are actually somewhat clever as well, but again, since none of this could happen in the first place it really doesn’t have that much of an effect on you. The pacing and tone of the film also works well and probably would have worked even better if I could have gotten fully into it. The film is also littered with some decent bits of humor as well, that again probably would have gone over better if it wasn’t for my frustrations with the plot. Though, the sacrificial nature of Bárbara Goenaga’s character was senseless and completely uncalled for and unjustified, which I guess is supposed to be shocking but again, ref. frustrations.
In the end, Timecrimes is ultimately a waste of time due to inability for anything in the plot to happen after the first 10 minutes. What happens after these 10 minutes is an interesting and an actually clever thriller that is full of decent twists and turns, but the gaping plot hole makes it all irrelevant. A well made film, with one huge mistake, makes Timecrimes a film I can’t really endorse due to my frustrations but could have been something cool if structurally sound.
4/10
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