The film opens with a huge swath of narration that attempts to teach the lore of the planet Oa and Green Lanterns and Parallax. It has all the charm of a dramatic reading of a Wikipedia entry. It’s never a good sign when a movie has to spend its first ten minutes essentially recapping a film that never happened. Feeling compelled to start with the character’s origin is a classic comic book film blunder. Filmmakers forget that more often than not these convoluted and bloated backstories developed over decades and, more importantly, after a character had become popular. Only a handful of these origin stories are inherently interesting to the uninitiated. Do you know how much time Action Comics #1 spent on Superman’s origin? One page. Don’t believe me? See for yourself. They gave you just enough to explain what he could do, then they got to the good stuff. It wasn’t called “Exposition Comics,” you know.
It’s not all bad, so let’s talk about what the film gets right. Ryan Reynolds is charming with just the right amount of self-deprecation. Of course, we all know (including him) that the modesty is false, but we’re flattered that he was not only polite enough to try but smart enough not to lay it on too thick. I suppose that’s where the charm comes in. But he does a fine job with the little he is given.
The film’s fatal flaw is its script. It’s a collection of genre clichés: the reticent hero, the supportive but sassy love interest, the corrupt powerbrokers looking to misuse a newfound power. While it’s solidly executed, the film lacks a soul. Comic books set against a cosmic back drop have always left me cold; feeling like a collection of deus ex machinas bumping into each other for twenty-three pages. Typically they devolve into a string of incoherent, pseudo-scientific, five-syllable words that sound profound but don’t really mean anything. You know…like half of my reviews.
But it’s a good looking movie. It wasn’t cheap and every nickel they spent definitely appears to be on the screen. It’s not so much a bad film as it is aggressively average. It says a lot about how far comic book films have come that this film doesn’t feel stronger. This same picture a decade ago would have been one of the best of its kind. So are we spoiled now, or were we starving then? It’s difficult to say, but it certainly pales in comparison to what we’ve seen of late.
On a scale of 1 to 10, with 10 being Batman and 1 being Batman & Robin, Green Lantern gets a 5.
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