Categories: Movie Reviews

Movie Review: A BRIXTON TALE (Slamdance Film Festival)

In a year where the film industry has seemingly come to an abrupt halt, the Slamdance Film Festival has given it momentum. Pivoting to a virtual event this year, the 2021 lineup features 25 feature films along with 107 shorts and episodics, and a new program titled Unstoppable, a showcase for creators with disabilities. Founded in 1995, this artist-led, community-focused home for indie filmmaking has bucked the system of traditional festivals by presenting movies that cannot be placed in a particular category or check a particular box. 

A Brixton Tale is one of those films. A culture clash about race, class and the dangers of instantaneous social media centers around Leah, an aspiring artist and filmmaker from the right side of the tracks, who becomes involved with Benji, a rough and tumble boy from one of Brixton’s tougher council houses.

Looking to capture a portrait of Brixton’s seedier underbelly, Leah takes to the streets, where she is drawn to Benji, her unsuspecting subject. Part artist, part voyeur and documentarian, she begins to film Benji and his mate Archie. Striking up an instant kinship, the trio dives deeper into Brixton’s culture of drugs, parties, gangs and violence.

Social status meets social media as Leah lives between two worlds when she leaves her posh home to voraciously record her friends’ struggles in an area afflicted by looming gentrification, crime, poverty and addiction. As she documents this unsavory world for a gallery show, she becomes involved with Benji, a situation that creates tension for both of them.

As their two worlds collide, Benji and Leah each feel the tug of society gnawing away at them.  Their forbidden dalliance becomes even more complicated after they pursue edgier content for the project. This decision leads to some unsettling moments with the police, a gang leader and Charles, a rich boy with a dangerous edge. The drama tightens to a violent crescendo when Leah becomes drawn closer to Benji. As their passion burns, a conflicted Leah is forced to choose between her heart and desire to be a prolific artist.

Beneath the grime and urban drama of A Brixton Tale lies an ensemble of talented actors who undoubtedly will move on to bigger things. Tabbed as an actress on the rise at the 2017 British Film Awards, Lily Newmark shoulders the film’s moral ethical themes on art and society with a brilliant performance that incorporates facial expressions and body language, giving Leah an aspect of fragility that lurks beneath her steely exterior.

Ola Orebiyi is a powerhouse. Using silence to speak volumes, he excels in his first lead role. His nonchalance gives Benji a profound sense of calm as the world crumbles around him. Orebiyi’s performance as an innocent teen to victim caught up in maelstrom of crime and punishment propels the film.

Soon to be seen in The Batman, Craige Middleburg gives Archie a vulnerability and pathos as his drug addiction spirals out of control. In a place where there is little hope of getting out, his portrayal of the film’s most tragic character offers glimpses into the seedy culture of Brixton’s council estates.

Filled with unrelenting uneasiness, A Brixton Tale brilliantly juxtaposes aspirations with frustrations as it explores the choices artists make as they create their work and the effects this drive for appreciation can have on their subjects. Unflinchingly grounded in Brixton’s nightlife. Directors Darragh Carey and Bertrand Desrocher’s raw realism (they even employed several estate residents for supporting roles) is a candid and powerful look at how the fates of the beleaguered are often exploited, sidestepped and abandoned for high art and personal gain.

The 2021 Slamdance Film Festival run virtually through February 25th. For passes and more information visit www.slamdance.com.

Rob Levy

Rob Levy is a native St. Louisan, freelance writer, and content creator who has been published in several print and online publications including St. Louis Magazine, ALIVE Magazine, St. Louis Business Journal, The Riverfront Times, Playback, Noisy Paper and The Beacon. He also writes articles for Onstl.com, needcoffee.com and anglotopia.net. Since 1995 he has hosted Juxtaposition on KDHX Radio. An avid fan about music, film and pop culture, he has written for needcoffee.com, anglotopia.net and several other online publications. He also is a member of the Weekend Justice podcast.

Recent Posts

Movie Review: THUNDERBOLTS* storms into theaters with strong cast, fun story

Marvel Studios seems to have finally risen out of the slump that has been caused…

2 days ago

Movie Review: ANOTHER SIMPLE FAVOR delights as Lively and Kendrick rekindle sparks from first film

Blake Lively and Anna Kendrick are back in Another Simple Favor, the devilishly delightful follow…

2 days ago

Movie Review: UNTIL DAWN might make you yawn

Another exclusive PlayStation title recently saw an adaptation in Until Dawn, directed by David F.…

2 days ago

Spiritbox at The Pageant with Loathe and Dying Wish

Spiritbox brought their unique brand of metal and a fantastic stage performance to the Pagaent…

4 days ago

THE BAND FEEL: CREATING VINTAGE VIBES, MAKING MODERN MOVES

In an age where music is fragmented into algorithms and fast-scrolling feeds, The Band Feel…

5 days ago

Trivium, Bullet for My Valentine and friends take over The Factory with sweet metal sounds

By Cassie Maag Twenty years ago, two landmark albums were released, “Ascendancy” by Trivium and…

2 weeks ago