Concert Review: Chris Stapleton at Hollywood Casino Amphitheatre

Review by Bryan Bealmear

Chris Stapleton’s All-American Road Show Tour made its way to Hollywood Casino Amphitheatre Friday night.

Stapleton brought along Brent Cobb and the legendary Marty Stuart & His Fabulous Superlatives for the show. The upper 90s temperature didn’t slow down the sellout crowd or the performers.

Brent Cobb got the evening started off on a great the note. He started off his set with “Providence Canyon”. Next up was his tribute to his friend and mentor Wayne Mills called “King of Alabama”.

Next up was Marty Stuart. Stuart’s set took the crowd through a collection of classic country including a solo version of “The Whiskey Ain’t Workin”, a cover of Johnny Cash’s “Ring of Fire”, and “Hillbilly Rock”. And wrapping up his set with his 2017 single “Time Don’t Wait”.

And the finally, Stapleton took the stage, starting off with his current single “Midnight Train to Memphis. After his initial song, he would take the crowd through a journey of his past hits. Next up was “No Body to Blame”, then “Millionaire”, followed by “Fire Away”. Stapleton then brought back Brent Cobb for a duet version of “Might As Well Get Stoned”. Next up was Stapleton’s version of the Charlie Daniel’s Band’s “Was it 26”.

To kick off the second half of Stapleton’s set he brought Marty Stuart back to the stage. The two did duets of Marty Stuarts “That’s Country” and “Honky Tonkin’s What I Do Best”. After Stuart left the stage, Stapleton went onto his version of “Whiskey and You”, followed by “Broken Halos”.  Stapleton then brought back the namesake of his first album “The Traveler”.  To wrap up his set, he did a quick verse of LynyrdSkynyrd’s “Freebird”, then transition quickly into his version of “Devil Named Music”. Then to change the mode of the crowd went into his fast-paced hit single “Parachute”.

To close out his set, he teased the crowd with the first few notes of distinguishable notes of one of his hit songs. With the band still playing, Stapleton took time to do an extended introduction of each member of his band while singing to the melody of his band. Finally, Stapleton was ready to give the fully standing crowd what they wanted, the full version of “Tennessee Whiskey”.

Chris Williams

Chris joins the ReviewSTL crew this year as a seasoned photographer. He started his company, It Was Worth It Photography, in 2012 after graduating from Lindenwood University. Chris has grown a love for music management, and covering concerts as a photographer is a match made in heaven. Today he specializes in travel photography and plans to launch his lifestyle blog this winter '17. Chris spends most of his work time in the library learning about any and everything.

Recent Posts

Great Britten! A MIDSUMMER NIGHT’S DREAM Closes OTSL’s 50th Season (Review)

Opera Theatre of St. Louis' latest production is putting people to sleep. Literally. Fortunately, those…

9 hours ago

Opera Review: Money, Mishaps and Marriage Fuel OTSL’s Hilarious DON PASQUALE

One of the ways that Opera Theatre of St. Louis is celebrating their 50th anniversary…

5 days ago

Opera Review: THIS HOUSE World Premiere at OSTL

This House, Opera Theatre of St. Louis’ 44th world premiere, proves that sometimes you shouldn’t…

2 weeks ago

A Perfect Circle, Puscifer and Primus members take audience for a ride at Hollywood Casino Amphitheater

By Jerry McGrath Be...Present.   Marked words to open the concert.   Maynard, in typical fashion, addresses…

2 weeks ago

Movie Review: KARATE KID: LEGENDS Starring Ben Wang, Jackie Chan, Ralph Macchio

Often times, legacy sequels strain under the weight of nostalgia. But Karate Kid: Legends wears…

3 weeks ago

Theater Review: Buffoonery Meets Bubbly With OTSL’s DIE FLEDERMAUS

To celebrate its 50th season Opera Theatre of St. Louis didn’t just uncork a bottle…

3 weeks ago