Rob Levy

Review: PARIS IS IN HARLEM (Slamdance Film Festival)

There is a lot to unpeel in Christina Kallas’ Paris Is in Harlem. Screening as part of the 2022 Slamdance…

3 years ago

Review: The St. Louis Symphony and John Adams Save the Best for First

Although he cut his teeth in the minimalist traditions of Steve Reich and John Cage, John Adams has established himself…

3 years ago

Review: BEYOND VAN GOGH at Saint Louis Galleria

Although he did not achieve great success during his lifetime, Vincent Van Gogh’s popularity became unparalleled in the decades after…

3 years ago

Interview: Black Thought, Tariq Trotter of The Roots

At a time when the world is struggling to get back on its feet The Roots are here to show…

4 years ago

Review: NEW WORKS, BOLD VOICES Speaks Loudly for Opera Theatre of St. Louis

At a time when many companies are coming out of the pandemic, Opera Theatre of St. Louis is turning on…

4 years ago

Review: Hanging On the Telephone – La voix humaine at Opera Theatre

It’s hard to move on when you can’t stop looking back. This is especially true for Elle, the center figure…

4 years ago

Review: Opera Theatre Drives Fast On Highway 1, U.S.A.

William Grant Still may not be as well known to casual opera fans as Verdi or Rossini, but he should…

4 years ago

Where There’s A Will There’s A Way: Gianni Schicchi Begins New Season of Opera Theatre St. Louis

The parallels between Gianni Schicchi’s premiere in 1918 and its placement as the opener for Opera Theatre of St. Louis’…

4 years ago

Virtuosity and Variations: A Musical Journey with the St. Louis Symphony Orchestra

With live performances coming to a grinding halt, the St. Louis Symphony Orchestra found itself in the same precarious position…

4 years ago

Movie Review: ME TO PLAY (Slamdance Film Festival)

For actors, the very notion of a final performance fills them with dread. Riding off into the sunset is not…

4 years ago