Despite starring Dwayne Johnson and Kevin Hart, the trailer just seemed kind of dull.
As probably one of the biggest fans of Dwayne Johnson on the planet, and a pretty huge Kevin Hart fan, I’m happy to report that Central Intelligence not only exceeded my expectations, but it blew them out of the water.
Hart and Johnson are comedic gold in the film, as the charisma that the pair share shines on the big screen.
Hart, who has made a name for himself, playing pretty much the same character in each film, is, yet again up to his old tricks of screaming, yelling and acting scared to death like in just about every film he is in.
Johnson, on the other hand, has become an action superstar. While he sees his fair share of action in the film, he also shows that he has some comedic chops. Both actors are solid in their respective roles.
James Wan’s latest effort is not just a great scariest, it’s a great piece of acting, as Patrick Wilson and Vera Farmiga have great chemistry together.
After seeing the sequel to 2013’s surprise hit, it was hard to go to sleep. Make no mistake about it, the based on a true story sequel, delivers on all cylinders. Once again, The Conjuring 2 proves that you don’t need gore and guts to put a legitimate scare into moviegoers.
Wilson and Farming play Ed and Lorraine Warren, real-life paranormal investigators. This film picks up around six years after the first.
It’s no secret that movies based on video/computer games have never fared too well. Just glancing through the list of movies, the various Rotten Tomatoes scores read more like a senior class’s ACT scores than a rating. The mere mention of the name Uwe Boll makes film critics and video game players alike cringe in sheer terror. Year in and year out, we watched as some of our favorite game franchises (Tomb Raider, Hitman, DOOM, Far Cry) were butchered in various manners. One game-based film franchise, Resident Evil, has managed to do well enough to warrant several sequels, but it’s the exception rather than the rule.
And now we have Warcraft, the latest effort from Duncan Jones, whose directorial debut was the phenomenal indie film Moon. Jones, the son of David Bowie, tackled a certainly risky endeavor. The original Warcraft game, along with Warcraft II, were nothing short of revolutionary when they were released, helping kick-start the real-time strategy genre. With the subsequent release of World of Warcraft, the most popular MMO of all-time, Blizzard’s flagship franchise, the collective eyes of the gaming world descended upon Jones’s effort. Ten years after the project was initially announced, the result is here. The result is an entertaining, if not flawed, fantasy.
It’s hard to believe that we are now nine films into the X-Men franchise, which kicked off in 2000 with X-Men and was the catalyst for the “serious” superhero films we know today. Although Blade came out two years earlier, it never had quite the commercial success of the original X movie – which brought in almost $300 million worldwide. That number now seems like a drop in the bucket compared to the billion dollar films that rule the box office today. 2014’s Days of Future Past brought in nearly $750 million – a number that this third entry into the decade-hopping prequels surely aims to best.
Like its predecessors, Apocalypse jumps forward 10 years – this time taking place in 1983 (First Class was set largely around the Cuban Missile Crisis in 1962, and Days of Future Past took place in 1973). Charles Xavier’s (James McAvoy) School For Gifted Youngsters is much more established, and thriving with new students. It is here we are introduced to fan favorites Jean Grey (Sophie Turner), Scott Summers (Tye Sheridan) and Jubilee (Lana Condor). Charles and Hank (Nicholas Hoult) run the school, while Erik (Michael Fassbender) tries to live a normal life under a new identity with his wife and daughter. Meanwhile Raven is trying to free Angel (Ben Hardy) and Kurt Wagner (Kodi Smit-McPhee) from an underground mutant flight club in East Berlin.
The film opens in Ancient Egypt, where we eventually learn the first mutant En Sabah Nur (Oscar Isaac) is worshiped as a god. In all of his incarnations he is joined by his “four horsemen,” who protect him from a betrayal by his followers in this specific flashback. He is protected and preserved there, until awoken by a series of events influenced by Moira Mactaggert (Rose Byrne), who is working there as a CIA operative. After his awakening into the modern world, En Sabah Nur (who will become known as Apocalypse) recruits his new horsemen: Storm (Alexandra Shipp), Psylocke (Olivia Munn), Angel – and eventually Erik after he suffers an emotional loss. It is up to the new team of young X-Men, aided by Raven (Mystique), to stop Apocalypse from cleansing Earth from humanity and rebuilding with only his mutant followers.
In Keanu, the comedy duo delivers almost exactly what you’d expect from a bit on their brilliant Comedy Central show, Key and Peele. The movie picks up on a thread they started in a sketch on the show called A Cappella, featuring the two as rivals trying to join extracurricular groups full of the whitest white boys. In the film, they continue exploring variations of racial identity, supported by a healthy dose of slapstick and the absolutely absurd.
Written by Peele and a writer and co-producer of Key & Peele, Alex Rubens, the plot itself is really more of a parody of a plot, highlighted by the infeasible catalyst for the whole debacle: a bunch of hardened drug dealers and one recently dumped stoner fighting over possession of a wee little kitten.