I cry like a little bitch at the ASPCA commercials, so maybe my take on “Max” isn’t as reliable as some heartless asshole’s take.
“Max” is 100 minutes of dog love, pure and simple.
Dog lovers will devour this movie and be left begging for seconds.
“Max” is a German shepherd, that was trained by the military to assist in weapons finding missions.
It just so happens that Max’s trainer/owner is shot and killed early on in the movie.
22 years exactly after Jurassic Park comes Jurassic World, the fourth film in the franchise, and possibly the best one since the original. Jurassic World takes us back to the island from the first film, where the idea of cloned dinosaurs has been resurrected and expanded. Audiences flock from over the world to see wondrous exhibits presented by corporate sponsors. The park is owned by an eccentric billionaire (as if there is any other kind), and run by the bullheaded and independent Claire Dearing (Bryce Dallas Howard). Despite having finally introduced the world safely to animals once thought to be extinct, the thrill just isn’t there any more. The park is seeing less growth every year as the novelty fades. Audiences want more danger, and bigger spectacle. Jurassic World intends to deliver by genetically modifying a new dinosaur, more dangerous than one we’ve ever seen before. As you can guess, things go pretty awry from here, and only Veloci-whisperer (Chris Pratt) can hope to stop it. Oh, and just for giggles, a subplot about Claire’s nephews is thrown in so younger audience members can find a character within their wheelhouse.
Jurassic World, come for the story, stay for the spectacle. The story is just really an excuse to throw the audience into a modern day monster thriller. The characters aren’t particularly deep, but really is that what you came to this movie for? Sure, Chris Pratt continues to show after his breakout in Guardians of the Galaxy, that he is in fact a enthralling leading man. Pratt has the comedic chops to keep audiences entertained, and the dramatic chops to make even a far fetched character believable. His counterpart in Bryce Dallas Howard manages to hit the right notes, despite her character being a mesh of somewhat offensive female-centric tropes. Howard makes the best of it, despite not changing out of her heels for the duration of the film. Supporting the two leads are Ty Sympkins and Nick Robinson, who play much the same role as the children from the first film. Adults might find them a bit grating at times, but they are essential to some of the dangerous elements of the plot.
What happens when legendary horror filmmaker Sam Raimi joins forces with Gil Kenan, the director of Monster House to remake one of the greatest horror films ever made? A soulless train wreck of a movie. This “haunted house” remake doesn’t come even close to the originality of the 1982 version.
Even if you haven’t seen any of the Mad Max films, there’s still a good chance you’ve watched or heard something that the series had a direct effect on. Filmmakers like James Cameron, Guillermo del Toro, and David Fincher cite the series’ impact on their works. Rap artists such as Tupac and Snoop Dogg referenced the films either in their music videos or lyrics. Computer gamers would be hard-pressed not to recognize the impact on the Fallout universe.
Now, 30 years after the last film in the franchise was released, Max Rockatansky is ready to make his return, albeit this time in the shape of Tom Hardy. Mad Max: Fury Road may not tell much of a story at all, but I don’t think the intended audience cares so much about tiny things like plot and character development. The Mad Max world is brutal, truculent, and fueled by adrenaline. And it’s this formula that’s not only going to appeal to the original audience, but bring a whole new fanbase into the universe.
It seems like every summer, you’ll see at least a couple of films dealing with college students and their experiences. These movies range in topic from sports (We Are Marshall), growing up, (American Pie 2), fraternities (Animal House, Going Greek), or a plethora of other topics.
When the original Pitch Perfect came out, it took the young audiences by storm. It was a solid blend of young stars and comedy, and the musical compositions were brilliantly executed. After making $113 million on a $17 million budget, it was inevitable a sequel would come out.
Fast forward to 2015, and the result is Elizabeth Banks’ debut as director of a feature-length film. With the bulk of the core cast returning for the sequel, Banks and company deliver a sequel that adheres to the same formula as the original, but doesn’t seem to come out quite right.