If you ask the question “What is the BFG?” to two different generations, there’s a good chance you’re going to get two very different responses. Growing up in the 90’s as a computer gamer, my first reaction when I heard the title of the movie harkened back to my days of playing DOOM and Quake II, taking out enemies with the Big F*cking Gun.
Apparently, though, this is not what that refers to. Rather, The BFG is actually based on a children’s book by Roald Dahl published in 1982. Although a previous animated adaptation came out in 1989, this effort, helmed by Steven Spielberg, is the culmination of more than 25 years of work to bring a live version to the big screen. A few of my friends read the book as children, but I went into the theater knowing absolutely nothing about it. In hindsight, I think this was a good thing.
Everyone’s got their share of guilty pleasures. Things that we know aren’t good (or good for us), yet we refuse to let go of. I don’t think it’s a bad thing, really, unless your guilty pleasure is like murder or something.
When I was 12, a summer blockbuster named Independence Day rolled out in theaters and took the world by storm. Filmed on a $75 million budget, the movie went on to gross more than $817 million worldwide. Featuring an ensemble star cast and visual effects that garnered an Academy Award, ID4 became one of the biggest hits of 1996 despite a mediocre script and a somewhat jingoistic theme. Regardless, the movie quickly became one of my favorites and I anxiously await a sequel in the years to come.
Well, 20 years later, the sequel is finally here, and you have to wonder if it’s too late. Will Smith, star of the first film, was not re-cast; after the first film propelled him to international stardom, he became too pricy for the second film.
The good news, nominally, is that much of the original cast does return for the sequel. Jeff Goldblum returns as David Levinson, now the head of the Earth Space Defense (ESD) in this alternate universe. Given 20 years to prepare for the return, ESD has massively upgraded from the conventional weaponry in the original film. Moving up from F/A-18s to fighters based on alien technology, AMRAAMs and fusion weaponry to plasma cannons and cold-fusion missiles, the ESD has done what it can to get ready. Whereas Smith and Goldblum’s characters split top billing in the first film, this is clearly Levinson’s time to shine.
Despite starring Dwayne Johnson and Kevin Hart, the trailer just seemed kind of dull.
As probably one of the biggest fans of Dwayne Johnson on the planet, and a pretty huge Kevin Hart fan, I’m happy to report that Central Intelligence not only exceeded my expectations, but it blew them out of the water.
Hart and Johnson are comedic gold in the film, as the charisma that the pair share shines on the big screen.
Hart, who has made a name for himself, playing pretty much the same character in each film, is, yet again up to his old tricks of screaming, yelling and acting scared to death like in just about every film he is in.
Johnson, on the other hand, has become an action superstar. While he sees his fair share of action in the film, he also shows that he has some comedic chops. Both actors are solid in their respective roles.
James Wan’s latest effort is not just a great scariest, it’s a great piece of acting, as Patrick Wilson and Vera Farmiga have great chemistry together.
After seeing the sequel to 2013’s surprise hit, it was hard to go to sleep. Make no mistake about it, the based on a true story sequel, delivers on all cylinders. Once again, The Conjuring 2 proves that you don’t need gore and guts to put a legitimate scare into moviegoers.
Wilson and Farming play Ed and Lorraine Warren, real-life paranormal investigators. This film picks up around six years after the first.
It’s no secret that movies based on video/computer games have never fared too well. Just glancing through the list of movies, the various Rotten Tomatoes scores read more like a senior class’s ACT scores than a rating. The mere mention of the name Uwe Boll makes film critics and video game players alike cringe in sheer terror. Year in and year out, we watched as some of our favorite game franchises (Tomb Raider, Hitman, DOOM, Far Cry) were butchered in various manners. One game-based film franchise, Resident Evil, has managed to do well enough to warrant several sequels, but it’s the exception rather than the rule.
And now we have Warcraft, the latest effort from Duncan Jones, whose directorial debut was the phenomenal indie film Moon. Jones, the son of David Bowie, tackled a certainly risky endeavor. The original Warcraft game, along with Warcraft II, were nothing short of revolutionary when they were released, helping kick-start the real-time strategy genre. With the subsequent release of World of Warcraft, the most popular MMO of all-time, Blizzard’s flagship franchise, the collective eyes of the gaming world descended upon Jones’s effort. Ten years after the project was initially announced, the result is here. The result is an entertaining, if not flawed, fantasy.